Lazarus takes her home and chains her to a radiator, while he tells her about his life and plays her some music – all avowedly to teach her some self-respect. One day, he finds a beautiful young woman called Rae, played by Christina Ricci, who has been beaten and left unconscious by the road by local folk, apparently as a punishment for her promiscuity. He is a farmer and retired blues musician significantly named Lazarus, who is dying of loneliness. One of Jackson’s strangest and yet somehow most elegant performances, treasured by his fans.
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Jackson gives an object lesson in how to make the most of a small role here, he is one of cinema’s most dedicated smokers, never seen without a cigarette.īlues power … Jackson with Christina Ricci in the curious Black Snake Moan. Tragically, Ray is to meet a horrible off-camera demise, gobbled by a velociraptor, leaving only his arm. His famous line is uttered when he has to shut everything down and start it up again when a hurricane strikes, dinosaurs are at large and the park’s systems have been sabotaged by Wayne Knight’s slobbish and corrupt programmer, Dennis Nedry. “Hold on to your butts!” Jackson has another celebrated cameo as Ray Arnold, the droll engineer in charge of Jurassic Park’s automated rides. With the sickening gunshot, Jackson lurches forward, bounces off the bed and hits the floor. So Stacks is roused from a lie-in at 11.30am by Joe Pesci’s psychopathic Tommy DeVito Stacks stumbles apologetically to the door in his underwear and then – incautiously – turns his back on Tommy as he bends to put his clothes on. He neglected to do so, rendering himself vulnerable to arrest and likely to squeal.
For the Lufthansa robbery run by Henry (Ray Liotta) and Jimmy the Gent (Robert De Niro), Stacks was entrusted with getting rid of the van. He plays minor hoodlum “Stacks” Edwards, who had, as they say, one job. Jackson is often regarded as quite the snappy dresser, but sadly there was nothing snappy about the way he dressed for his big cameo in Martin Scorsese’s celebrated gangster film – in loose vest and underpants.
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That determination takes the movie to melodramatic places, but Jackson’s performance is muscular and forthright. There, his personality appears changed: he is more grimly determined to survive. Jackson plays Trevor, a dedicated teacher who works in a tough New York school, survives a horrendous stabbing by a pupil and winds up as a substitute teacher in Los Angeles. So it proves in this social-issue thriller named after the California police code for homicide. So often, Jackson’s roles are flavoured by violence or cynicism or black comedy, but there is a strong streak of idealism in his performing identity.
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